The INVISIBLE
GUY a real soundtrack for an imaginary spy film Episode Seventeen -
THE SANGEET
SURFER (Teen Tal '65) Copyright © 2002 - 2005 Arthur Jarvinen |
CD & Merchandise (coming) | Musicians & Credits | the Live Band info | send e-mail |
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Scene:
The
Invisible Guy has tailed Mojo Stang to the Sakred Kow-Abunga, a
nightclub featuring the best of contemporary Hindustani surf music and
North
Indian nouvelle cuisine - the chef's specialty being the "Holy
Hamburger",
sort of a joke in that it is really a vegan garden burger dressed with
a
tandoori-style secret sauce – where the house band, Dick Dasgupta and
his
Gas-Dupe-Tones, are just starting their second set.
The
Invisible Guy observes as Mojo Stang takes his usual seat at his
private table,
where his favorite beverage and appetizer have been placed only moments
before
in anticipation of his imminent arrival. Stang gives the waiter an
almost
imperceptible nod, after which the young man approaches the band stand
and
quickly whispers something to Dick before returning to the kitchen for
more
naan.
Dick,
seated cross legged and leaning over his Coral electric sitar, speaks
into the
microphone. "We have had a request to play Teen Beat '65, which
unfortunately is not yet in our repertoire. Perhaps it will become. For
now,
our good friend might enjoy this new composition, The Sangeet Surfer,
which you may prefer to think of as Teen Tal '65”, and with
that, Dick
begins the alap.
Having
suitably warmed up to the new mode, Dick glances at Rajeev Pispoor, who
begins
laying down the tabla groove for the composition proper. As the tune
begins to
unfold the dancer discreetly enters and begins moving gracefully in
time to the
droning music.
For
a few moments The Invisible Guy finds himself lost in the steady
rhythmic
pulsing and buzzing tones of the trance-like music, until something
suddenly
jars him out of his reverie, as if he had just been pinched. "What's
wrong with this picture?"
Enthralled
by the music, The Invisible Guy had barely noticed the dancer, but now
he
scrutinizes her closely, particularly her hands. The classical mudras
are not
unfamiliar to him, Vedic art and architecture having been more than a
passing
interest in his high school days. "So what goes on here?"
"Damn
if she isn't signing!" The Invisible Guys remembers just enough ASL -
from
when all the girls used it in junior high school to converse during
class and
he found it expedient to learn the basics – to combine that with the
traditional Hindu symbolic gestures and discern the essence of the
lithe
woman's stylized movements.
"Holy
Holsteins, I gotta go!" – and he is outta there without waiting for the
tihai.
.
. . .
. . . .
Claude puts down the Cliff Notes version of the Mahabharata just long enough to order another India Pale Ale, made by a trendy local micro-brewery, and some more naan.
Center - The Letter "Y" in American Sign Language.
Right - "Hang Loose"
Above Right: Dick, in the studio, coaching an
unidentified English sideman on the drone part for his new tune, Bombay Beach Party. The Real Dick Dasgupta The character of Dick Dasgupta is based on the late Amiya Dasgupta, a wonderful musician and human being who had a great sense of humor and openness of mind. Though I never actually studied music with him - not being Hindustanically-inclined - I greatly enjoyed getting to know him when I was a student (and later a resident artist) at the California Institute of the Arts, where Amiya taught for many years. > One time my house mates and I hosted a beach party at our
place in Newhall (nowhere near a beach, in case you don't know). We played
Annette Funicello records, and put a pile of sand and a floor lamp in the
corner for anyone who wanted to enhance the vibe. Amiya spent quite some time
reclining in the sand, catching a few rays, and smiling a lot. Toby Holmes and I suggested to Amiya that it would be fun to start a surf band together. We would call it Dick Dasgupta and the Dasgup-Tones, and we would play all the surf classics with sitar instead of guitar. Amiya was totally up for it, as long as we would transcribe the music for him. Somehow, we just never got around to it, and the project, to my continued regret, never happened. The Sangeet Surfer is affectionately dedicated to Amiya. |